Play the bass on beat 1. On beats 2, 3, and 4, play three-note rootless voicings (3, 5, 7 or 7, 9, 3) in the middle register. No melody yet. This is Olmstead’s “Two-Point Texture.”
Now add the melody in the right pinky, while the right thumb and index finger play the chord voicings from Week 2. The left hand continues walking. For the first time, you are a trio: Bass + Piano + Horn. solo jazz piano neil olmstead pdf download new
Since its publication by Berklee Press, this book has been a cornerstone for intermediate and advanced players seeking the holy grail of jazz: the ability to sit alone at a piano and produce a complete, swinging arrangement that implies bass lines, chords, and melody simultaneously. Play the bass on beat 1
Take a standard like Autumn Leaves . Play only the root and fifth on beats 1 and 3. Do not use the sustain pedal. Your right hand is silent. Your goal: Metronomic time. This is Olmstead’s “Two-Point Texture
There is currently from Berklee Press as of 2025. The original edition (ISBN: 978-0634011773) remains in print.
[] (Note: This is a simulated call-to-action. In a real article, link directly to the publisher.)
The you are searching for isn’t a different PDF version. It’s you applying these concepts with modern tools—tablet scores, loopers, and slowed-down audio.