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What we are witnessing is a polarization. The general public still uses the 10-point scale based on entertainment value. But the indie-film community has developed a different shorthand. A 3.5/5 on Letterboxd from a user who reviews 500 films a year is often a higher recommendation than a 4.5/5 from a user who only watches blockbusters.

That is the final, highest grade : Truth over spectacle. And in a world of deep fakes and manufactured blockbusters, that is the most radical grade of all. Do you have an independent film that changed your grading scale? Share your own "grade" and review in the comments below. What we are witnessing is a polarization

Reviewers like those at Film Comment , Reverse Shot , or the late Roger Ebert’s blog (specifically his "Great Movies" series focusing on forgotten indies) have long understood this. They grade films not on a curve of budget, but on a curve of intention. A $10,000 mumblecore film about a dissolving relationship in a Brooklyn apartment might be an "A+" for conversational realism, while a $50 million indie studio film (think Licorice Pizza ) might get a "B-" if it loses its narrative thread. One of the most liberating aspects of the perspective seen from grade independent cinema and movie reviews is the abolition of the "guilty pleasure." In mainstream criticism, a film that is weird, slow, or ambiguous is often penalized. In indie criticism, those are features, not bugs. Do you have an independent film that changed

Next weekend, skip the IMAX screen. Find the smallest theater in your city playing a movie you have never heard of. As the credits roll, don’t ask, "Was that entertaining?" Instead, ask, "Was that true ?" As the credits roll